Also from City Room/NYT: The electronics industry sues to block new recycling requirements (we take this as good news because that means the law is having an impact;
Buffalo and Philly get Big Belly solar powered trash compacting recepticles; and
Missing Ohio kids found alive in the trash (morbid but true fact: while we almost never post them, we come across a lot of baby in the trash stories that end another way, it’s so refreshing to read a happy ending in this one).
While I have mixed feelings about the often self-congratulatory artistic happenings that come out of North Brooklyn and the street art scene in general, I can appreciate that my skepticism is both a bit knee-jerk and shared by the practictioners themselves. For example, I first learned about Swoon when I heard her speak on a panel on street art where divirsity came up a lot (in that self-conscious way it tends to in academic settings referencing hip hop culture), as did the fact that the mostly white street art scene (born of art schools) benefits from the same badass caché now afforded to grafitti (born of the ghetto) while the “risks” taken by the “outlaw” artists of today’s movement don’t match those taken by the bombers of the 80’s. Not by the farthest stretch of the imagination. Case in point: you’ll notice the NY Mag article uses Swoon’s real name repeatedly. Let’s see if she gets arrested for vandilism.
That said, potential jail time isn’t a prerequisite I use when judging art I like. And I truly enjoy the wheatpaste prints Swoon puts up around town. Sometimes, art is just pretty and fun. Bonus points for using trash.
“The culture of eating and building out of Dumpsters is not an endpoint, not what any of us wants to be doing,” Swoon says. “It’s about living off a bad culture that we wish didn’t exist and making the resources that contribute to that situation no longer available to you.”
For more on Swoon, I recommend searching the lovely and amazing clearinghouse, Wooster Collective. That’s how I found this Walrus TV video.